Blog Archives

Now Playing: Hail, Caesar!

Much as I’m a devoted disciple of the work of the Coen brothers, I can admit there are all sorts of forecastable reasons to expect that a new film they’ve made might not quite work. The susceptibility to recurring flaws isn’t

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From The Archive: Burn After Reading

This is a thing I wrote a while ago that’s never been published in this space before. (I’m very ill, so the pithy retrospective commentary is truncated this week.) I doubt there was a single knowing film fan out there

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Top Ten Movies of 2013 — Number Four

Of the many pleasures in the Coen brothers’ Inside Llewyn Davis, the one that inspires the most gratitude in me is the sibling writer-directors’ ability to be sentimental about an era while steadfastly refusing to give in to undue romanticism.

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But I’ve got no home, nowhere to roam, don’t even have a place to sing my songs

This might seem like a strange observation, but it’s a reaction I can’t quite shake: I think Inside Llewyn Davis is the gentlest film Joel and Ethan Coen have ever made. There’s a lot of aggression across the shared filmography

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Spectrum Check

Spectrum Culture eased back into operation after a holiday break this week. Even though we had a very limited amount of content, I still squeezed some of my high-falutin’ words in there. On the film side, I wrote about the

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Greatish Performances #9

#9 — Jennifer Jason Leigh as Amy Archer in The Hudsucker Proxy (Joel Coen and Ethan Coen, 1994) To the degree that Jennifer Jason Leigh is pigeonholed, it’s as the dark, damaged character whose rolling displeasure probably helps drive the

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Top Ten Movies of 2010 — Number Two

Twenty years ago, I thought of the Coen brothers as cheeky titans of upending genres. They started their mutual career with a crime film, a broad comedy and a gangster picture, each of them adhering to the tropes of their

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March 2017
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