Blog Archives

Feist, Sandel, Singer, Stoller, West

In the Valley of Violence (Ti West, 2016). As an enthusiastic fan of Ti West’s early excursions into affectionately knowing spins on the horror genre, I had high hopes for his stab at the Western, the most venerable of Hollywood genres. In

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Collet-Serra, Davis, Heisler, Levine, Lewis

Lion (Garth Davis, 2016). The feature debut from Garth Davis — who has major cred in my book for directing half of Jane Campion’s great Top of the Lake — looks like the same achingly earnest, self-consciously award-hungry cinema the

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Larraín, Lubitsch, Riley, Snyder, Sollett

No (Pablo Larraín, 2012). In Chile in  the late nineteen-eighties, the dictatorial government of General Augusto Pinochet orchestrated a public vote to give the populace a chance to weigh in on whether or not they’d maintain control for another eight years

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Edgerton, Holmer, Kriegman and Steinberg, Moore, Øvredal

The Gift (Joel Edgerton, 2015). I find it amusing and even endearing that Joel Edgerton bypassed any potential inclinations to establish himself as a serious cinematic artist with his feature directorial debut and instead crafted a lurid little thriller not

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Dominik, Howard, Junger, Miller, Wolchok

Deadpool (Tim Miller, 2016). And so we’ve reached the point in the superhero era of cinema that allows for a caustically deconstructionist take on the genre to become one of the biggest hits of the year. There might be no

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Bird, Coon and Skousen, Garrone, Huston, Paradisi

Tomorrowland (Brad Bird, 2015). There’s nobility in Brad Bird’s oft-stated aspiration to use Tomorrowland to reanimate the futuristic optimism of his youth, countering the long meander into an endless procession of sci-fi dystopias. Intent is one thing. Execution is quite

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Branagh, Brooks, Leigh, McGrath, Trank

Cinderella (Kenneth Branagh, 2015). It’s grading on the most generous of curves, but as a crass attempt to develop a new revenue stream for a beloved Disney animated class, the live action Cinderella isn’t so bad. It’s certainly a damn

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